Mariangela Tinelli

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	<title>Mariangela Tinelli</title>
	<link>https://mariangelatinelli.com</link>
	<description>Mariangela Tinelli</description>
	<pubDate>Mon, 04 Sep 2023 16:18:48 +0000</pubDate>
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		<title>Homepage</title>
				
		<link>https://mariangelatinelli.com/Homepage</link>

		<pubDate>Mon, 21 Dec 2020 18:09:53 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

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	Mariangela Tinellidancer choreographer teacher&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;sessions &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; research &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; teaching

NEWS:

2025
31. January
Co-Curation of the SPECIAL EDITION K77 Performance Series&#38;nbsp;#28in the line up: performance duo with musician &#38;amp; sound artist Tarufu&#38;nbsp; and&#38;nbsp; dancer Mariangela TinelliK77 Studio Berlin (DE)
https://k77studio.org/de/k77-performance-series-28/

17. January
Improvisation Workshop in collaboration with Meltem NilComing with nothing and leaving with everything
Fokus on: impulse - embody - transform
at K77 Studio Berlin, (DE)https://k77studio.org/de/coming-with-nothing-and-leaving-with-everything-4/


13. Dezember&#38;nbsp;
Improvisation Workshop&#38;nbsp;in collaboration with Meltem Nil
Coming with nothing and leaving with everything
Fokus on:&#38;nbsp;shaping space with language and movementat K77 Studio Berlin,&#38;nbsp;(DE)
https://k77studio.org/de/coming-with-nothing-and-leaving-with-everything-3-2/

December 6
NEW ORBIT
After many years of collaboration with musicians, visual artists and dancers with this SOLO IMPROVISATION Mariangela Tinelli returns to her beginnings. A fine balance of 
emotional, abstract and layered narratives told in movement, voice and performance.&#38;nbsp;
Seeking a connection with art and life.
K77 performance series #27, K77 Studio Berlin (DE)
https://k77studio.org/de/k77-performance-series-27/

November 8
Mariangela Tinelli together with performing artist in the durational, real time performance
THE HUB: A Progam for Temporary Collaborations as Performanceco-organized by Dolanbay and Elo Masing at Meinblau Projektraum, Berlin (DE)
October 4
Improvisation Workshop in collaboration with Meltem NilComing with nothing and leaving with everything
Fokus on:&#38;nbsp;soundscape - movement - musicalityat K77 Studio Berlin, (DE)

September 6Improvisation Workshop in collaboration with Meltem NilComing with nothing and leaving with everything
Fokus on: stillness - impulse - imagination
at K77 Studio Berlin, (DE)

September 6
Open Form Quartet - Next Round
 Guilherme Rodrigues - cello
 Ingólfur Vilhjálmsson - bass clarinet&#38;nbsp;Jonas Marx &#38;amp; Mariangela Tinelli - danceK77 performance series #25,&#38;nbsp;K77 Studio Berlin (DE)

May 28Trio
Ingólfur Vilhjálmsson - bass clarinet &#38;amp; batteria preparata together with the dancers: Jonas Marx &#38;amp; Mariangela TinelliHošek Contemporary Berlin (DE)
May 3
Querencia
Manuela Lucia Tessi &#38;amp; Mariangela Tinelli - dance, Ingólfur Vilhjálmsson - bass clarinetK77performanceseries Berlin (DE)

April 27
group piece
Musiktanznulldreißig 10 years anniversary: performance 1
Ackerstadtpalast Berlin&#38;nbsp;(DE)

April 5
Serendipity
Uygur Vural - cello, Ingólfur Vilhjálmsson - bass clarinet, Stefania Petracca &#38;amp; Mariangela Tinelli - dance
K77performanceseries Berlin (DE)


2024
August 10
Coming with nothing and leaving with everything
Improvisation Workshop
by Meltem Nil &#38;amp; Mariangela Tinelli
from 11:00 to 15:00 at K77 Studio, Berlin

August 3
appointments
Ingólfur Vilhjálmsson bass clarinet, Mariangela Tinelli dance &#38;amp; poetry
K77performanceseries Berlin (DE)

June 9
Komm tanz mit uns!
Tagesworkshop für tanzfreudige jeden Alters von Karin Grießbauer &#38;amp; Mariangela TinelliAHA Projekthaus Angermünde, Schwedter Str. 22, 16278 Angermünde, Brandenburg (DE)

June 1
Casual Closeness
Mariangela Tinelli concept &#38;amp; dance, 
Manuela Lucia Tessi, Roberta Ricci, Antje Penz and Ioana Ferariu&#38;nbsp; - dance
K77performanceseries Berlin (DE)

May 31
Islands
Ingólfur Vilhjálmsson - bass clarinet, Mariangela Tinelli&#38;nbsp; - dance
Kühlspot Social Club Berlin&#38;nbsp;(DE)

May 4
Pardon The Pun
Ingólfur Vilhjálmsson - bass clarinet &#38;amp; batteria preparata together with the dancers:&#38;nbsp;
Jonas Marx &#38;amp; Mariangela Tinelli
K77performanceseries Berlin (DE)

March 6
Trio&#38;nbsp;
Ingólfur Vilhjálmsson - bass clarinet, electronics, Roberta Ricci &#38;amp; Mariangela Tinelli - dance
Hošek Contemporary Berlin (DE)

February 3
FLORA
video work (15min) by Mariangela Tinelli&#38;nbsp;
Screening at K77performanceseries Berlin (DE)

2023
December 3
Collaboration with visual artist Karin Grießbauer-Sculpture, installation, photography-
at 4pm performance by Ingólfur Vilhjálmsson - bass clarinet &#38;amp; Mariangela Tinelli - dance
Stadt Eberswalde, Offene Ateliers im Barnim (DE)

December 2
Open Form Quartet
 Guilherme Rodrigues - cello, Ingólfur Vilhjálmsson - bass clarinet, 
Jonas Marx &#38;amp; Mariangela Tinelli - dance
K77 performance series Berlin (DE)

November 3
Islands
Ingólfur Vilhjálmsson - bass clarinet, Mariangela Tinelli - dance
Saal Frei Labor - Festival Stuttgart&#38;nbsp;(DE)

October 19
Trio&#38;nbsp;
Caroline Cecilia Tallone - hurdy-gurdy, Marie Takahashi - viola &#38;amp; Mariangela Tinelli - dance
Musiktanznulldreissig Performance Night
Club der polnischen Versager Berlin&#38;nbsp;(DE)

August 26
Islands
Ingólfur Vilhjálmsson - bass clarinet, Mariangela Tinelli - dance
K77 performance series Berlin&#38;nbsp;(DE)

April 5
Trio
Jonas Marx - dance, Ingólfur Vilhjálmsson - bass clarinet, Mariangela Tinelli - dance
Hošek Contemporary Berlin (DE)

2022&#38;nbsp;
October, November, December
Dance Research: Partituren &#38;amp; Tanzinterpretationen
Supported by Fonds Darstellende Künste with funds from
 the Federal Government Commissioner for Culture and the 
Media within the program NEUSTART KULTUR.

August 26
Excerpt of:&#38;nbsp;No-Destination Flight
Performance Night:&#38;nbsp;NOW &#38;nbsp;International Alexander Technique 
Congress&#38;nbsp;Technische Universität Berlin (DE)&#38;nbsp;

May/June/July
 embodyinglandscapes score by S. Petracca, R. Ricci and R. Canciello
May 25 + 27 Körnerpark Performing Arts Festival Berlin&#38;nbsp;(DE)
June 27,&#38;nbsp;Parkaue Lichtenberg Kultursommer Berlin&#38;nbsp;(DE)
July 1, Stadttheater Spandau Summer Programme&#38;nbsp;(DE)

2021&#38;nbsp;
Oktober 30-31&#38;nbsp; &#38;nbsp; &#38;nbsp;Premiere No-Destination Flight
Ackerstadt Palast Berlin (DE)
 June 1-6 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; dance research: No-Destination Flight&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Ackerstadt Palast Berlin (DE)
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
June 23 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Duo
 Mariangela Tinelli - dance &#38;amp; Ingólfur Vilhjálmsson - bass clarinet

Hošek Contemporary Berlin (DE) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;2020Januar 30
PLASMA
Mariangela Tinelli -dance &#38;amp; Ingólfur Vilhjálmsson - bass clarinet
PAS (Performig Art Space) Berlin


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		<title>Works:</title>
				
		<link>https://mariangelatinelli.com/Works</link>

		<pubDate>Wed, 20 Oct 2021 18:35:00 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

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		<description>Works

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		<title>Islands</title>
				
		<link>https://mariangelatinelli.com/Islands</link>

		<pubDate>Mon, 04 Sep 2023 16:18:48 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

		<guid isPermaLink="true">https://mariangelatinelli.com/Islands</guid>

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	Islands35 minutes2023K77 Studio performance series Berlin


Planets, intervals
poses, walks
turn arounds
wandering backwards,
clicks, thuds
plops, hiss
	photography by Ioana Ferariu
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Dance review by visual artist Karin Grießbauer

They are a true couple. On stage and that they are also in life is so energetically and beautifully obvious. Watching their performance makes you realize what dance is, what music is. The whole thing is utterly enchanting. Delighted, enraptured, bedazzled, deeply touched, laughing, I am torn from my everyday carousel of thoughts and so cheerful that even the bizarre and threatening effect that riding the underground at night in a big city can have simply disappears. The impressions of this experience linger for days afterwards. Good art can do that. I wish I could put into words what I experienced: Two human beings, the male with a bass clarinet, standing close together, detaching themselves from their unity, moving away from each other. There is gyrating, whizzing, whirling, rattling and hissing. 
They lose each other and yet are connected to each other in the greatest suspension and concentration. They come closer together, cast a spell over each other. Become one and then two again, but always related to each other with the utmost presence. There are slow passages, each of the dancer's fingers and toes is given tense attention. Gestural, mimic, linguistic and comedic elements emerge unexpectedly from the flow of dance movements.The musician is actually two beings: he bears witness to the dance with the intense playing that builds up between him and the sounds he produces. He is so skillfully familiar with his instrument, elicits sounds from it in a very targeted way and yet listens in amazement at what he produces. Then again, the instrument becomes a paddle and concrete images are evoked from complete abstraction. And again and again, the pair come together in a calm, sung harmony. Not once during the 35 minutes does the suspense diminish. 
Mariangela Tinelli (contemporary dance) and Ingólfur Vilhjálmsson (bass clarinet) can do art. Alone, they are nothing less than virtuosos in their profession and together they weave perfect harmony out of their contrasts, their skill, their presence and their musicality. They, themselves, are dance and music. 
"Perhaps the true purpose of my life is that my body becomes my sensations and my thoughts become writing." 
Quote by Annie Ernaux
Tanz Rezension von Karin Grießbauer, visuelle Künstlerin

Sie sind ein wahres Paar. 
Auf der Bühne und dass sie es auch im Leben sind, ist so energetisch wunderschön offensichtlich.&#38;nbsp; 

Ihre Performance zu sehen, macht, dass Du erfasst, was Tanz ist, was Musik ist.&#38;nbsp; Das Ganze ist ganz und gar bezaubernd. Entzückt, berückt, verzaubert, tief berührt, lachend, bin ich aus meinem Alltags-Gedankenkarussell gerissen und so heiter, dass sich sogar das Bizarre und bedrohlich Wirkende , dass das U Bahnfahren bei Nacht in einer großen Stadt haben kann, einfach verliert.&#38;nbsp; Noch Tage später wirken die Eindrücke dieses Erlebnisses nach. Das kann gute Kunst. Ich wünschte, ich könnte in Worte fassen, was ich erlebt habe:&#38;nbsp; Zwei menschliche Wesen, das männliche mit Bassklarinette, stehen dicht&#38;nbsp; hintereinander, lösen sich aus ihrer Einheit, begeben sich in Entfernung zueinander.&#38;nbsp; Es wird gekreiselt, gefaucht, gewirbelt, geklappert und gezischt. 

Sie verlieren einander und sind doch in größter Spannung und Konzentration&#38;nbsp; miteinander verbunden. Kommen sich näher, ziehen einander in Bann. Werden eins&#38;nbsp; und wieder zwei, aber immer mit äußerster Präsenz aufeinander bezogen. Es gibt&#38;nbsp; langsame Passagen, jedem Fingerglied und jeder Zeh der Tänzerin wird&#38;nbsp; spannungsreiche Aufmerksamkeit zuteil. Unvermutet brechen aus dem&#38;nbsp; tänzerischen Bewegungsfluss gestische, mimische, sprachliche, komödiantische&#38;nbsp; Elemente hervor. 

Der Musiker ist eigentlich zwei Wesen: er bezeugt den Tanz mit dem intensiven&#38;nbsp; Spiel, das sich zwischen ihm und den von ihm erzeugten Tönen aufbaut. Er ist so gekonnt vertraut mit seinem Instrument, entlockt ihm ganz gezielt Klänge und&#38;nbsp; lauscht doch erstaunt über das von ihm Hervorgebrachte. Dann wieder wird das&#38;nbsp; Instrument zum Paddel und aus der völligen Abstraktion werden konkrete Bilder&#38;nbsp; hervorgerufen. Und immer wieder findet das Paar zu einem ruhenden gesungenen&#38;nbsp; Zwieklang zusammen. Nicht einmal innerhalb der 35 Minuten lässt die Spannung&#38;nbsp; nach. 

Mariangela Tinelli (zeitgenössischer Tanz) und Ingólfur Vilhjálmsson (Bassklarinette) können Kunst.&#38;nbsp;Allein sind sie in ihrem Metier nicht weniger als virtuos und aus ihrer gemeinsamen&#38;nbsp; Gestaltung weben sie aus ihrer Gegensätzlichkeit, ihrem Können, ihrer Präsenz&#38;nbsp; und ihrer Musikalität die perfekte Harmonie. Sie selbst sind Tanz und Musik. 


„Vielleicht besteht der wahre Zweck meines Lebens darin, dass mein Körper meine&#38;nbsp; Empfindungen und meine Gedanken zur Schrift werden.“&#38;nbsp;Zitat von Annie Ernaux


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		<title>No-Destination Flight</title>
				
		<link>https://mariangelatinelli.com/No-Destination-Flight</link>

		<pubDate>Wed, 10 Nov 2021 18:33:27 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

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	No-Destination Flight55 minutes dance &#38;amp; concert performance2021Acker Stadt Palast Berlin (DE)
The whole performance is a delicate balance of music and dance in subtle communications. The musicians become movers and the dancer develops a keen sense of listening. Eventually the dancer includes the concrete physical touch to influence and to sustain the sound composition and the choreography.The dance and concert performance is in two parts. The first part is created and performed by Ingólfur Vilhjálmsson/bass clarinet and Mariangela Tinelli/dance and lasts for 20 minutes. The second part is created and performed by composer Elo Masing/violin and in collaboration with as well as performed by Ingolfur Vilhjalmsson and Mariangela Tinelli and takes 30 minutes.
No-Destination Flight is an intimate work that explores the idea of being touched by (vast) landscapes. Those landscapes transformed to sound, to physical states and sensual intuitions are open imaginative places and abstractions. 
The title suggests: It's all about the journey, not about getting there! It is taken from the Australian Flight Travel arranged during the pandemic, where a flight would take you all around the continent for 8 hours and drop you off at the starting point.
idea/concept in collaboration
Mariangela Tinelli
Ingólfur Vilhjálmsson
Elo MasingPart one: composition Ingólfur Vilhjálmsson
clarinet&#38;nbsp;Ingólfur Vilhjálmsson
dance Mariangela TinelliPart two: composition by Elo Masing
violin Elo Masing
clarinet&#38;nbsp;Ingólfur Vilhjálmsson
dance Mariangela Tinelli
Lights:&#38;nbsp;Acker Stadt Palast Berlin
Photography:&#38;nbsp;Kabinettobscurarose &#38;amp;&#38;nbsp;Ronny Sakolowski

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		<title>Pacifico Exercises: Encho</title>
				
		<link>https://mariangelatinelli.com/Pacifico-Exercises-Encho</link>

		<pubDate>Fri, 12 Jul 2019 14:37:18 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

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	Pacifico Excercises: Encho60 minutes performance2019Acker Stadt Palast Berlin (DE)

	
This work is a collaboration with german composer Sebastian Elikowski-Winkler with the intent to explore the relationship between dance and music. The poetic idea of the pacific is represented by the participation of japanese composers.With the premise to let the dance speak first, the ten minutes solo choreography is initially the “score” for the creation of six new compositions. In the performance each dance solo repetition is interpreted anew by each composer.A graphic movement language, inspired by calligraphy and pictography unfolds in its relation to space and performability. Vivid poses act out as symbols to then transform and flow in yet angular movements. Each composition changes the relationship between dancer, soprano and clarinetist and contributes to the versatility and uniqueness of the relation to the new music pieces. The performance in its entirety shifts from hints of storytelling to abstract dance. More layers are added by drastic costume and light design changes journeying throughout.

Composers &#38;amp; Compositions played in this order:Suiha Yoshida ‘Only the sea does not...’ for solo soprano
Ayana Tsujita ‘Wave and Pulse’ for solo clarinet &#38;amp; bass clarinet
Ferdinand Breil ‘till human voices wake us’ for soprano, bass clarinet &#38;amp; electronics
Sebastian Elikowski-Winkler ‘kusari’ for soprano &#38;amp; bass clarinet 
Hideki Kozakura ‘MIZU’ for electronics
Stepha Schweiger ‘TAKE A SEAT’ for soprano &#38;amp; electronics
Choreography &#38;amp; Dance &#38;amp; Costume: Mariangela Tinelli 
Voice &#38;amp; Costume: Natalia PschenitschnikovaClarinets: Ingólfur VilhjálmssonLive electronics: Ferdinand Breil 
Text: Anna Hetzer
Light Design: Ferdinand Breil &#38;amp; Marcelo Schmittner

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</description>
		
	</item>
		
		
	<item>
		<title> Breath</title>
				
		<link>https://mariangelatinelli.com/Breath</link>

		<pubDate>Tue, 22 Dec 2020 16:05:31 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

		<guid isPermaLink="true">https://mariangelatinelli.com/Breath</guid>

		<description>
	
	Breath10 minutes performance2018Massia, Massiaru (EE)

	
This performance is a movement study creating visibility and extention of the motion of breathing of the human body with attention to nuance and detail. It’s the first collaboration with the composer and musician Ingólfur Vilhjálmsson, who plays the new music creation for bass clarinet with electronics.The performance is a sensual and delicate journey and invites the audience to the contemplation of the natural act of breathing. With an esthetical approach of radical simplicity, silky movements unfold into manifold qualities and long flowing motions whereby the beginning and the end of a phrase are fully merged to a decentralized pattern. Breath just happens and it does in the vicinity of the heart. The choreography morphs relentlessly in an erie atmosphere through vanishing clarifications of shapes and states. The audience is a witness of a process that acts out almost as a phantasmagoric evolution of the phenomena of breathing itself.The score starts as a wide open field and progresses very slowly, adding layers of musical materials and expressions culminating in the compactness of gestures.&#38;nbsp;


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	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Wedding 2000</title>
				
		<link>https://mariangelatinelli.com/Wedding-2000</link>

		<pubDate>Fri, 12 Jul 2019 14:37:19 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

		<guid isPermaLink="true">https://mariangelatinelli.com/Wedding-2000</guid>

		<description>
	Wedding 2000social experiment &#38;amp; exhibition2017Uferstudios Berlin (DE)

This projects starts as a response to an open call for an urban survey on female joungsters born in the year 2000 in the Berlin district called Wedding. In the summer 2017 Emilie, Raoul and Mariangela collected impressions of Wedding and attempted to find teens willing to share their thoughts, perceptions and experiences of their neighborhoods. We documented our every move using our smart phones for pictures, directions, notes and voice recordings. Then back in the atelier space we utilized a black and white printer, a paper roll, maps and a permanent marker. A schoolboard was placed outside our Studio where anonymous answers to our questions could be left. Those answers were then documented. At the last stage of the process the diverse documentation material was exhibited in our temporary workplace Studio 64 of Uferstudios Berlin. The exhibition was titled ‘WALK-IN NOTEBOOK’ and contained black and white prints of pictures, altered city maps, crosswords creations, audiofiles of interviews with a few youngsters and field recordings. Along the entire length of the Atelier’s wall, we displayed the daily journal of our activities on paper. An urban research of places where we hoped to find youngsters and hardly found them, hence an inventory of missed encounters and plenty of new insights on the streets of Wedding in Berlin
	

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	<item>
		<title>A choreographer's gaze</title>
				
		<link>https://mariangelatinelli.com/A-choreographer-s-gaze</link>

		<pubDate>Sun, 04 Apr 2021 19:43:32 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

		<guid isPermaLink="true">https://mariangelatinelli.com/A-choreographer-s-gaze</guid>

		<description>A choreographer’s gaze20 minutes perfomative intervention in public space2015&#38;nbsp;Researching: The Middle Way (Mittelweg) in collaborative art practice at Agora Berlin (DE)


	A choreographer’s gaze is a performative intervention that premiered during the exhibition ‘A publication unfolding in space’ curated by the artist Fotini Lazaridou-Hatzigoga. The performer invites the audience to leave the exhibition and take a little walk to a square nearby. Then they’re instructed to stay together as a cluster and to face the same direction with an overview to the square and its passers by, a game of spacial awareness begins. The performer guides the gaze of the audience with a poetic languange describing what is actually taking place. All that happens when one has a chance to stop and pay attention. A dance of the ordinary unfolds in unexpected ways for the conscious viewers.


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		<title>In your left pocket</title>
				
		<link>https://mariangelatinelli.com/In-your-left-pocket</link>

		<pubDate>Sun, 04 Apr 2021 19:44:39 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

		<guid isPermaLink="true">https://mariangelatinelli.com/In-your-left-pocket</guid>

		<description>In your left pocket20 minutes performance2015&#38;nbsp;Exploring the Endotic in collaborative art practice at Agora Berlin (DE)

As part of -Twelve Thirty Minute Solo Shows- the performance ‘In your left pocket’ reflects on the objects that are close to us or with us and that inevitably talk about us. Taking into account what is in our pockets just now or which are our thoughts in this instant. The performance is the selection of things in your pocket collected during the day of the event, from the artists and the galerie visitors, whether a packet of chewing gum, bread crums, a short novel, or the thought of intimacy. Regardless if some appear as randomly and some as placed or choreographed, the performance rule is to dedicate every item an equal amount of time. The catalogue type score is made of things and thoughts of the audience therefore it evokes associations and allows experiences of a short revival, new revelations or ironic allusions.
Each of the twelve artists had a predifined amount of time to install, present and dismount her*his artwork producing a chain of solo shows in the span of an evening. Curated by Lorenzo Sandoval.

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		<title>Meeting across the lens</title>
				
		<link>https://mariangelatinelli.com/Meeting-across-the-lens</link>

		<pubDate>Mon, 01 Mar 2021 17:34:21 +0000</pubDate>

		<dc:creator>Mariangela Tinelli</dc:creator>

		<guid isPermaLink="true">https://mariangelatinelli.com/Meeting-across-the-lens</guid>

		<description>
	Meeting across the lensphotography with Patrizia Iaconisi2015
	

Two schooltime friends set out to meet again after many years, now as grown up’s. Patrizia has become a fine art photographer and Mariangela a contemporary dancer. They decide to meet for the first time directly by employing their crafts. In their hometown at Kunsthalle Weishaupt in Ulm. Then meandering to the river danube and finding further locations outdoors. They are glad to reconnect in this way, possibly to contemplate lines and curves and reflect on light and dark. A tender balance of being together and each of them being in their own element.

Photos ©Patricia Iaconisi 


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