Different scores determine the procedures of the choreographies in their dance interpretations. Choreographic miniatures emerge from the graphics, the word description and the semantics of the respective score. Compositions of new music and the neumes of early music stand side by side in a new danced context and in comparison.

‘Every score is graphic, it depends how you look.’

‘Any score is danceable.’

‘What is the difference between a score and choreography?’

‘Can you read between the notes?’